Veleno Doré, part of LM Parfums‘ high-end Gold Label Collection, is lovely but also exceedingly familiar. It’s an oriental parfum which is initially centered around vanilla-infused, fruity pipe tobacco, laced with patchouli, enveloped in spices, then drenched in cognac booziness, syrupy sweetness, and caramel ambers. A tiny, early echo of Ambre Loup quickly gives way to major overlaps with Tom Ford‘s Tobacco Vanilla and Roja Dove‘s Enigma Pour Homme/Creation-E and a whisper of Kilian‘s Back to Black, except this is their heavily spiced, chili-flecked brother, and black cherry has been substituted for plums or plum pudding. Over time, woodier, drier, smokier, more leathery, and more woody-ambered elements replace the gourmand-skewing ones for a different twist on tobacco but this, too, feels familiar with echoes of other popular fragrances, like Black Oud and even Black Afgano.
Tabacco d’Autore is an homage to the complexity of tobacco from an ancient Italian house known for its rich, intense soliflores. It’s a new fragrance that explores tobacco’s many innate facets through a dark landscape that is embellished with dry woods, spicy patchouli, smoke, amber, and artemisia’s dual sides of bitter herbal greenness and oud-ish woodiness.
Farmacia SS. Annunziata dal 1561 (hereinafter simply called “Farmacia SS Annunziata” or “Farmacia”) is an Italian house whose history goes back centuries. It’s a completely unpretentious, good quality, moderately priced brand whose fragrances are often more like extraits in their concentration, and they typically focus on one main note whose every characteristic or feature is then explored in great depth. I’ve never really understood why the brand gets so little attention; some of its soliflores are impressively hardcore treatments of their subject (like Patchouly Indonesiano), richly beautiful (like the gorgeous Ambra Nera), or just very easy-to-wear, versatile fragrances. The new Tabacco d’Autore very much bears the Farmacia SS Annunziata aesthetic. It may not my personal cup of tea, for reasons I’ll explain shortly, but, like every Farmacia soliflore, it takes the main note and runs with it.