Penhaligon’s new Ostara is an ode to Springtime and daffodils. It is also one of those rare scents whose opening left me wishing I had poetic talent in order to convey its exquisite beauty and the multitude of images which it inspired in my head. I wished I could paint like an Impressionist master, so that I could capture its rare sense of luminosity. I wished there were a way I could adequately express its essence, its intricate delicacy, and Bertrand Duchaufour‘s technical brilliance — which is on full display here, more than usual, in my opinion. I looked for sonnets, paintings, something, to convey just what the spectacular opening felt and did to me, but I failed time and again, because everything seemed trite or a clichéd in comparison. Perhaps that is because Ostara’s deceptively simple, seemingly unadorned opening is ultimately more of a rapturous sensation than a bouquet of notes. It’s as though a moment in place and time — as well as all the radiant light of that day — had been squeezed into one bottle. I wish I had the poetic words….