Tom Ford explores new territory with his Vert d’Encens, transporting you to forest landscapes where mighty pines and fragrant fir trees drop their aromatic pine needles and sweet sap over a leafy greenness. Yet, there is a twist: smoky incense, heliotrope vanilla, and dusty, dark chocolate are layered within, resulting in one of the more interesting and appealing Tom Ford releases in a while. In fact, I found its opening to be so appealing that I pondered buying Vert d’Encens for myself. It’s the first time that a Tom Ford fragrance has tempted me in a number of years.
Vert Boheme is one of four new Tom Ford fragrances called Les Extraits Verts which were released in September as part of the Private Blend Collection. Vert Boheme is a clean, fresh, green and feminine (not unisex) floral eau de parfum that follows a classical 1970s style. It reminded me a lot of a mix of YSL‘s vintage Rive Gauche, Diorissimo, and Chanel‘s Cristalle, given a modern touch through a heavy dose of clean musk. Having said that, I have major issues with its development, structure, and quality, and I don’t find it to be particularly distinctive. Be that as it may, I think Vert Boheme will be a very popular fragrance with women who like extremely fresh, clean, crisp, green florals as well as the vintage style of perfumery.
On his website, Tom Ford describes Vert Boheme as follows:
Sparkling and infallible like a jewel gleaming in the Sun, Private Blend Vert Bohéme is TOM FORD’s interpretation of green at its most free-spirited. Sicilian, Mandarin and Magnolia exude Bohemian femininity, exquisitely enhanced with gustavia, also known as “The Tree of Heaven”, known for its spectacular single blossoms that last for just one day. The fresh vibrancy awakens a divine first bloom, crystal-clear and exposed.
Tom Ford returns to the leather genre with Ombre Leather 16. It is an eau de parfum in his Private Blend collection and it was released earlier this month. Tom Ford’s description and press release describe the scent as follows:
Textured. Sleek. Enveloping.
For the first time, TOM FORD unveils a private blend eau de parfum directly inspired by the runway. Ombré Leather 16 invites you into his complete vision of the AW16 season with a definitive olfactive statement.
A textural take on the most precious of fine leathers, Ombré Leather 16 imprints with a tactile sensuality, revealing a refined combination of contrasts — the sleek enigma of black leather wrapped in voluptuous glamour.
Tom Ford‘s Orchid Soleil is meant to be a new sibling to his popular Black Orchid and Velvet Orchid series of fragrances, but it doesn’t feel like it to me. The choice of the word “Soleil” in the new fragrance’s title is no mere coincidence, in my opinion, because Orchid Soleil has far more in common with Tom Ford’s recent Soleil Blanc for much of the first half of its life than anything redolent of Black Orchid. There is a token nod to the latter when a highly modified, toned-down version of its black truffle and chocolate accord appears via “chestnut cream” (or, to be precise, patchouli vanilla) late in Orchid Soleil’s development, but the connection between the two fragrances is attenuated. If that’s the reason why you’re interested in Orchid Soleil, you’d do better to lower your expectations, if not put it out of your mind entirely. Actually, I don’t think you should have high expectations for Orchid Soleil at all.