Sammarco Vitrum & Alter: Vetiver Forests, Jasmine Fields

The last two fragrances in Sammarco‘s collection are Vitrum and Alter. The former is an impressive and mesmerizing vetiver that showcases its main note in all its many facets, accompanied by streaks of incense and, occasionally, a delicate pink rose. The latter is an indolic jasmine joined by woody myrrh, civet, and, for a short time, a heady mimosa, fruity rose, and something resembling honeysuckle. So, let’s get straight to it.

Photographer: Gwyllm Llwydd. Source: Facebook.

Photographer: Gwyllm Llwydd. Source: Facebook.

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UNUM Ennui Noir (+ Symphonie Passion)

Source: zby.ly.com

Source: zby.ly.com

Close your eyes, and imagine yourself in a field in Provence. Fresh lavender stretches out in an aromatic purple expanse as far as the eye can see. Slashes of white are interspersed throughout, heliotrope whose delicate blooms launch a powerful cascade of vanilla, marzipan, fresh anise, and powdered meringue. Running through the heart of field is a river of vanilla, silky and creamy, coiling its way around the purple and white flowers to create the scent of lavender ice-cream dusted with meringue and anise. The earth below them is made of patchouli, its spiciness complemented by something a little extra that smells of cinnamon, cloves, and chili-pepper. All around, encircling the field like a dark wall, is a forest filled with myrtle, wafting its unique aromas of spicy herbs, fruity sap, herbal flowers, and green woods. Cedar grows there, too, along with green vetiver that first smells mineralized, mossy, and minty, and then, later, smoky and woody.

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D.S. & Durga – HYLNDS – Spirit of the Glen

Photo by Tauheed Ahmad Nawaz at his blog, Travel Trip Journey. (Direct website link embedded within).

Photo by Tauheed Ahmad Nawaz at his blog, Travel Trip Journey. (Direct website link embedded within).

Glenlivet and the distilled spirit of the Scottish Highlands are the inspiration behind Spirit of the Glen, an evocative fragrance from the American indie brand, D.S. & Durga. It’s part of a trio that comprise the HYLNDS Collection, and I thought that the concepts behind both the fragrance and the Collection itself to be fascinating. Really, I loved them, so I hope you’ll forgive a brief digression into the details.

The Glenlivet 18 via liquorama.net

The Glenlivet 18 via liquorama.net

According to the copy quoted on First in Fragrance, the HYLNDS Collection “seeks to recall the myth infused lands of Northern Europe. Tracing legends from antiquity, the Iron and Viking Age, HYLNDS fragrances are made with an in depth research into historical documents, aromatic analysis of real places, and the artistic creation of the Celtic, Norse, Manx, and Anglo peoples.” The story behind Spirit of the Glen may be even cooler, at least for a scotch drinker. Luckyscent says it arose out of an actual collaboration between perfumer David Moltz and Glenlivet “to craft a fragrance worthy of their flagship 18-year aged whisky.” As he explains on DS & Durga, to bottle the scent of their famous Speyside single malt, The Glenlivet 18, he went so far as to use accords “from all aspects of whisky production” right down to “charred bourbon barrel” and touches of “sherry cask.”

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Aeon Perfume Aeon 001

There’s a new mystery on the perfume scene, a fragrance called Aeon 001. It’s an eau de parfum that is described as an “experimental” vetiver and it was made by a famous perfumer whose name will be kept secret until the limited number of bottles have all been sold. I’m not a huge vetiver lover but I’m a sucker for a mystery, particularly one that is said to involve resins, spices, and white flowers, so I ordered a sample.

"Ethereal" by Spinella Art. (Direct website link embedded within.)

“Ethereal” by Spinella Art. (Direct website link embedded within.)

Many parts of Aeon 001 made me nod appreciatively and smile. It merged several perfume genres and families, glimmered with complexity, and was far from the hardcore vetiver soliflore that I had expected. At one point, it was primarily a modern animalic chypre in the vein of Bogue‘s stellar Maai, albeit a tame, baby cousin to that scent. At another stage, it was a vetiver leather oriental. At all times, though, and from the very first sniff, I thought that Aeon 001 bore the inimitable style of Bertrand Duchaufour at his best, from the use of one of his favorite notes to his trademark style of creating perfumes with paradoxical bold airiness or impactful, dense lightness.

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