Today, we’ll look at two fragrances from Atelier des Ors, its upcoming, new Iris Fauve, and one of the fragrances it debuted last year, Lune Feline. The first is a floral woody musk centered on iris; the second is an intensely spiced and rather delectable vanilla oriental with a strong gourmand streak. Both fragrances are eau de parfums that were created by Marie Salamagne under the artistic direction of Jean-Philippe Clermont, Atelier des Ors’ founder. So, let’s get straight to it.
With Lilac Love, Amouage heads fully into European territory, abandoning the Arab aesthetic and the silver Omani frankincense that were once its signature in favour of an easy, approachable, gourmand floral whose classical composition is fully in Roja Dove and Guerlain‘s wheelhouse. Lilac Love is not a bad fragrance; I find it more luxurious in quality than some of the recent releases with their noticeable arid synthetics; the very Shalimaresque classical themes of the drydown were actually lovely; and I think it would be a best-selling fragrance with women if the price were not so high.
However, I also think parts of Lilac Love feel incongruous in the first stage and, more importantly, that hardcore lilac fans won’t be satisfied. My advice for them is to put aside all thoughts of a true lilac scent. If they have no expectations, then they might perhaps be pleasantly surprised by any temporary, abstract, and wholly impressionistic whiffs that may pass by the European, floral oriental gourmand bouquet.
Close your eyes and imagine yourself spending a day in an old souk, perhaps in Marrakesh or Tripoli. The air is thick with heat, so you buy a refreshing drink of blood oranges infused with Angostura aromatic bitters, decorated with candied orange peels and sprigs of fresh herbs. One vendor catches your eye, his tables piled high with leathery black figs, the fattest, stickiest Medjool dates, syrup-laden Middle Eastern sweets, and honeyed desserts. Large sacks of colourful spices lie on the ground, next to ones filled with bitter Bay Leaf, oregano, and other green herbs. Nearby, bottles of rich labdanum amber and leathery Tolu balsam resins surround gleaming silver trays filled with cinnamon-scented, hard, dark benzoin resinoids.
An enterprising chap, the seller even offers you cooked food in case you missed your lunch, large bowls filled with curries or banana-leaf savory dishes straight from his Indian wife’s kitchen. You stand before his wares, sipping your drink of herbal Angostura bitters and orange, nibbling on a dried date as you contemplate ordering either a main meal or dessert. Suddenly, a vendor on a bike comes out of nowhere and crashes into you. The barrel of immortelle in the back goes flying into the air, crashing into the tables, throwing everything to the ground, and releasing a flood of sticky syrup over them all. Apologizing profusely, the vendor offers to cook you dinner in his kitchen. Hours later, he replaces your ruined clothing with an outfit made of soft Tuareg leather, but the resins from the accident still coat your skin, encasing you in a cloud of amber infused with spices, sweet myrrh, and sweetness.
An unexpected surprise greeted me when I tried an attar and two eau de parfums from Al Haramain‘s Prestige and Premium Collections: a common theme of refreshing aromatic, herbal, and leafy greenness that tied the three fragrances together despite being in very different genres. It also made them more interesting than I had expected, particularly for an oriental blend from a Middle Eastern company, and even more so for an oud-based one. In my experience, Arab oud fragrances tend to follow certain stylistic conventions or formulas, but Ode of Oudh was a refreshing change and I mean that in the literal olfactive sense as well as metaphorically. Mystique Musk similarly felt more creative than its genre or note list had led me to expect. Both of fragrances are from the Prestige Collection which treads a lighter and quieter path than the Premium Collection attars which have the typically dense, forceful, or powerful aesthetic of their genre. The Prestige Collection follows a slightly more European aesthetic but without completely giving up its oriental roots, and the result is a nice mixing of styles.