Yet, that is only one part of the tale because 1861 Naxos is like a kaleidoscope where the images change and realign themselves into different shapes with every click, especially in the first half of its life. Over time, the images and the notes change faster and faster, thanks to the impact of silky vanilla, dry woods, incense-like smokiness, spicy patchouli, and even some ambered booziness. The result is a bold powerhouse that has already become a big favourite with perfumistas, chosen by Basenotes readers as one of the best niche fragrances released in 2015 and frequently sold out on places like Luckyscent or Twisted Lily.
Every week, I get at least three or four emails from people seeking fragrance recommendations. The vast majority of them are men, but there are some women, too. Most of them are not long-time readers of the blog and have simply stumbled upon it, so they don’t know my long-time favorites that I talk about often, but a few are subscribers who seek specific suggestions. Sometimes, people start by giving me a brief idea of their tastes and/or names of prior fragrances they’ve worn. Typically, though, the information is insufficient for me to know what might really suit them, so I write back with a list of questions, trying to narrow down what notes they have issues with or love best, how they feel about sweetness or animalics, how their skin deals with longevity or projection, and what sort of power they want in both of those last two area.
What I’ve noticed is that I tend to make certain recommendations time and time again for particular genres or fragrance families. So, I thought I would share them with all of you. However, please keep in mind that these names are in response to some pretty set criteria given to me by the person in question, even though many of those factors end up being quite similar. For example, the men who like dark, bold, rich or spicy orientals all seem to want a certain sillage or “to be noticed in a crowd,” as several have put it. In contrast, most of those who want clean, crisp scents prefer for them to be on the discreet side and suitable for professional business environments. Men whose favorites are classical designer scents that fall firmly within the fougère, green, fresh, or aromatic categories (like Tuscany, Guerlain’s Vetiver, or vintage Eau Sauvage, for example) tend to want very traditional scents, even “old school” in vibe, and not something sweet, edgy, or with a twist. So, that is what I try to give them as recommendations, which means that there are a whole slew of fragrances that fall outside the category.
My list of favorite fragrances that I’ve tried this year is quite different from yesterday’s list of the best new releases of 2014. The latter centered largely on scents that I thought were good, very elegant or interesting representations of their genre, regardless of whether they were my personal cup of tea, and they were only things that debuted in 2014. Today’s list is purely about what I really enjoyed and does not consider the date in release at all. So, this time around, there are very few qualifications and caveats, and the vast majority of these fragrances are things that I bought for myself, am thinking about buying, or would love to buy were their price not a consideration.
You will notice that a good number of the fragrances are not complex masterpieces at all, but quite simple in nature. One reason for that is that I love cozy, comfort scents, and they are generally not very nuanced or multifaceted to begin with. Plus, mindlessly simple but really well-done fragrances that combine richness with soothing warmth are, in all honesty, a huge relief to me after a long day where I do nothing but analyse every nuance and change in a scent for hours (upon hours) on end.
A few other points. As always, I have to repeat my mantra regarding the subjective, personal nature of reviewing in general, and how a list like this is even doubly so. With regard to the rankings, it’s always an utter nightmare, but the Top Ten chosen here are generally quite firm in order. There is a bit more leeway with the next 10 names, as a tiny handful could go up or down one to two places of where they are at the present time. I’m most undecided about the placement of the last 10 which are the most subject to fluctuations in order. One reason why is because perfumistas are a fickle bunch who can change their mind from one month to the next, and I’m no exception. The other reason is that I’ve gone back and forth on a few scents, switching their places repeatedly until I just gave up in the end. So, for now, this is where things are, for the most part. Finally, you will notice that some of my summary descriptions are verbatim from my list of best, new releases of 2014 or from my mid-2014 best or favorites list. My apologies in advance. Covering almost 60 fragrances in two days is rather an exhausting process, so I hope you will forgive me.
On a mountain top in Rajasthan grows a Tree of Life whose mighty body is made of smoky sandalwood. Gnarled roots of oak and rosewood dig into patchouli earthiness, while its limbs bear bright, yellow citruses. Higher up, hidden amidst a canopy of more patchouli leaves, lie rosy flowers that drip a dark plummy liqueur. Natives come from far and wide, bearing gifts of incense that they burn in tribute to the magnificent tree that they call “Richwood.”
Richwood is a stunning sandalwood fragrance that grabs your attention from the start with its smoky woods, spicy patchouli, and an aromatic booziness that veers between oak-soaked cognac and plummy liqueur. It is an eau de parfum from the Italian luxury house of Xerjoff (pronounced as “Zer-joff”), which was founded in 2004 by Sergio Momo. Officially called “XJ Richwood,” the fragrance was release in 2010 as part of the XJ 17/17 Stone Label Collection whose name refers to the stone labels on the handcrafted bottles. It is intended to be a more affordable option than the collection’s original packaging which consisted of extremely expensive, limited-edition Murano glass art or quartz. According to Now Smell This, XJ Richwood (hereinafter just “Richwood“) was created by Jacques Flori, the nose behind Amouage’s Opus IV and Jovoy’s Psychedelique, among other scents. And it is really quite something.