Royal Leather, the latest fragrance from By Kilian, was a surprise. I thought it was actually interesting, and that’s not a word I think I’ve ever used for a Kilian fragrance. It’s a brand that, in all honesty, does little for me as a general rule because its signature seems to be mere smoothness and refinement rather than originality or bold character. But Royal Leather doesn’t follow the usual Kilian pattern of taking a typical, conventional bouquet and simply making it smoother than things from other brands. It’s bolder than many of its siblings and a little more interesting in its composition as well because it forgoes the usual Russian style of endlessly smoky, tarry birch leather and adds a few quirky twists, like juxtaposing hawthorn with heliotrope. Admittedly, the end result still resembles a smoother form of one or two fragrances from other perfume houses, but those scents are outliers from the typical leathers I encounter. And, I have to say, Royal Leather has a killer drydown.
As another year draws to a close, it’s time to look back at the best of 2015. For me, this was an iffy year for brand new releases because there weren’t a huge number of fragrances that stood out from start to finish. The exceptions to the rule were impressive or lovely but, when I went back over all the fragrances that I covered, I found the vast majority fell woefully short.
One reason stems from the hot new trends of the year. Leather was a major compositional note in 2015 or, to be more precise, the tarry, woody, forest-fire smokiness that purports to recreate the sense of “leather.” Another hot trend seemed to be a deluge of black pepper. Neither one is appealing to me, particularly since their chemical nature was usually so intrusive as to be front-and-center. Yet, that sort of excessive darkness was, in and of itself, the most common stylistic approach, one that was frequently juxtaposed next to shapeless white florals, amorphous spiciness, or some sort of limp “freshness.” The end result was that a lot of new releases smelt far too similar for me to find them distinctive, interesting, or compelling. In addition, many of them lacked the quality to warrant the higher prices that we’ve been seeing across the board.
“Voulez-vous coucher avec moi ce soir?” Do you want to sleep with me tonight? It’s a question that Labelle made famous in the 1970s, and I merely have to hear the words for the famous “Lady Marmalade” classic to start ringing in my head. As the Music Times article linked there explains, the song was inspired by the experiences of songwriter, Bob Crewe, in the red-light district of New Orleans “and the aggressive stance of prostitutes in the area.” His lyrics growled their demand through a mix of disco, R&B, and funk, and the latent sexuality at their heart was rendered overtly raunchy in subsequent musical covers.
Voulez-Vous Coucher Avec Moi, the fragrance, is nothing like the world of Lady Marmalade, and the sheer enormity of the chasm between them made me laugh each time I wore it. Put aside all thoughts of lust, skanky raunch, and ripe, fleshy seduction. Envision instead bridal femininity, floral sweetness, and a fresh, dewy delicacy that practically verges on the innocent.
Yes, I think Kilian’s version of Voulez-Vous Coucher Avec Moi is that much of an olfactory departure from everything implied by its name. But it’s a very lovely scent nonetheless. If it does seduce you, it’s through the refinement of a bridal bouquet where fresh white flowers are laced with greenness, then veiled with the silkiest vanilla cream. So rather than asking you to sleep with it in New Orleans’ red-light district or the Moulin Rouge, I think the real question that Voulez-Vous poses is whether you’ll marry it.
“Unnecessary” is the politest summation I can come up for to describe Single Malt, the new fragrance from By Kilian. “Derivative, regurgitated tripe” is a little closer to my true feelings. You can toss “monolithically singular,” “boring,” “unbalanced,” and over-priced” in there, too.
Single Malt is an eau de parfum that was created by Sidonie Lancesseur, ostensibly and officially as an exclusive for Harrod’s of London. Be that as it may, Kilian has it on all his websites for purchase, just as Apple Brandy is now widely available despite initially being exclusive to his New York boutique. (It’s the same story with Vodka on the Rocks which was once limited solely to Moscow.) Like its siblings, Single Malt seeks to pay homage to its chosen city via the liquor that Kilian thinks is most closely associated with it. I personally would choose port for London for historical reasons, and single malt for Edinburgh, but Kilian says on his website:
This exclusive scent, created for the Harrods Boutique, is an homage to London and its most emblematic liquor: WHISKY.
The heart balances between the golden reflection of wheat absolute and the sweet yet sophisticated character of plum. The woodsy dry down of SINGLE MALT composed of cedarwood essence from texas enriched by the vanilla absolute from Magadascar and tolu balm from Colombia gives to this fragrance an unconventional identity.